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About Volume 78
Volume 78
Journal Volumes
Essays
History of the Walters Department of Conservation and Technical Research: The First Fifty Years
Julie Lauffenburger
Illuminating a Curatorial Career: An Interview with Lilian M. C. Randall
Lynley Anne Herbert
Contemporary Art Collecting in the Twenty-First Century at the Walters Art Museum
Adriana Proser and Chandi Kelley
The Business and Politics of William T. Walters’s Collection of American Art
Kristen Nassif
Notes
“Pearl Figure” of a Black African Captive
Jenny Carson
“The Joy of Pure Enchantment, Fragile and Lasting Beauty”: Two Transparent Enamel Cups by Fernand Thesmar (1843–1912) in the Walters Art Museum
Jo Briggs
The Transparent Enamel Cups of Fernand Thesmar: Considerations on Technique
Gregory Bailey
Conserving the Haze:
The Arch of Nero
by Sanford Robinson Gifford
Pamela Betts
Analysis of Black Material Applied to Historic Copper-Alloy Ethiopian Processional Crosses
Gregory Bailey, Katharine Shulman, and Angela Elliott
Ethiopian Icon Painting Practices: Examination and Technical Research on a Selection of Paintings
Karen French
A Technical Study of the Materials Used for the Writing and Illumination of Ethiopian Manuscripts
Abigail B. Quandt and Annette S. Ortiz Miranda
Restoring Visual Integrity to a Pair of Eighteenth-Century Ormolu Wall Lights
Austin Anderson and Jen Mikes
Two Wax Portraits of David Garrick by James Tassie
Gregory Bailey
The Walters’ Lesser-Known Visigothic Eagle Fibula
Gregory Bailey
A Monumental Mortar
Gregory Bailey
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